Showing posts with label Beley. Show all posts
Showing posts with label Beley. Show all posts

Sunday, July 22, 2012

A Biographer Remembers Ray

Gene Beley, the author of the unauthorised biography entitled Ray Bradbury Uncensored!  wrote a remembrance of Ray recently. Gene recounts how he first spoke to Ray, after he posted an ad in a Waukegan newspaper asking "Ray Bradbury, where is your past?" The full article is online here.

Gene's previous writings on Bradbury include this report (with photos) on Ray's 2009 birthday party.

Ray Bradbury Uncensored! is available from iUniverse and various online bookstores.

Tuesday, December 26, 2006

Bradbury for Christmas

BBC radio broadcast a little piece of Bradbury for Christmas. Late on Christmas night they broadcast a radio programme called White Nights, featuring readings of stories and poetry "to reflect the moments between waking and sleeping". One of the readings was of Bradbury's Switch on the Night. You can listen to the entire show by clicking here. To get to the Bradbury section, you may wish to fast-forward approximately 15 minutes. (BBC radio shows are usually only available online for seven days - if that link is dead, you're too late!)

Switch on the Night (1955) was written for children, as an antidote to children's fear of the dark. According to Sam Weller's biography The Bradbury Chronicles, Ray wrote it a week after the birth of his daughter Susan. The baby slept fitfully and tearfully, and reminded Ray of his own childhood fear of the dark. His original manuscript for this work was in the form of a storyboard, with Ray's own sketches to illustrate the text. The published version is professionally illustrated, originally by Madeleine Gekiere. The 1993 edition was illustrated by Leo and Diane Dillon.

Some of the Dillons' superb work can be seen by using the 'Look inside this book' feature at Amazon.com.




I was delighted to hear from Gene Beley, the author of the unauthorised biography of Ray Bradbury. Gene had seen my review comments on his book, and posted a comment on this blog. You can view our exchange of comments here.

Tuesday, September 05, 2006

That UNauthorised biography again...

I thought I might regret it, but I paid good money for a copy of that unauthorised biography: Ray Bradbury Uncensored! The Unauthorized Biography, by Gene Beley. As I have mentioned before, I had concerns that this would not be a very solid piece of writing.

At some point, I will do a complete review of the book, but I wanted here to record my first responses, having speed-read the whole book, and having read a couple of chapters very closely.

My overall impression is of a book that very much needs a strong editorial hand. It needs some fact-checking (example: it reports events of Bradbury's 86th birthday, even though it was published
before that event). It needs some copy-editing (example: names of people spelled inconsistenly, sometimes within a single paragraph).

It also needs systematically revising to make it a 2006 book, rather than a slowly-accreted collection of items written over a period of years. It is rather disturbing to read that Beley had "last heard of" Charles Rome Smith in a particular place - giving the impression that the author has lost track of the theatre director - and then to read an end-of-chapter note reporting Smith's death. Many of the chapters of the book take the form of an article written ten, twenty or thirty years ago, with an "author's note" tacked on the end to bring it up to date. In chapters where Beley is reporting a specific event, such as a particular speech Bradbury delivered, this would appropriately give us a sense of being at the event, and provide important historical context. However, when the chapter is an interview that has no particular point-in-time value, this seems odd. George Clayton Johnson and Harlan Ellison, both very much alive today and (judging from interviews elsewhere) both highly accessible to interviewers, are quoted extensively on their views of Bradbury's writing and character - but the interview quotes are from the 1980s. Ellison is quoted as saying that Bradbury has done nothing of value for thirty years - but this quote pre-dates Bradbury's flurry of writing activity that would include Death is a Lonely Business, Green Shadow White Whale, Ray Bradbury Theater, The Toynbee Convector...

Apart from these editorial weaknesses, does the book have anything to offer? Well, it has a biography of Bradbury, but necessarily with less detail than Sam Weller's The Bradbury Chroniclesoffers. It reports on some of Bradbury's public speaking, quite successfully giving a sense of what it is/was like to be present at such events. It covers Bradbury's legal action against CBS over copyright infringement of Fahrenheit 451, in more detail than I have read elsewhere. It gives some insights into Bradbury's forays into theatre, revealing/claiming clashes between Bradbury and Smith, and between Bradbury and Shank.

It has some charming quotes from "ordinary people" who knew Ray at various points in his life, and some negative comments about Bradbury from various people who have had dealings with him.

And it sounds slightly unkind when discussing Bradbury's disabilities and his current state of health.

And quite a few photos, rather randomly arranged.

Overall, it's a real mixed bag. Probably essential reading for the Bradbury completist, but for anyone else I would say: buy Weller instead.

My top tip is to buy the ebook version, which is a lot cheaper than the printed edition!

Tuesday, August 01, 2006

Unauthorised biography of Ray!

I stumbled across this new, strangely titled book. The title suggests something quite salacious, a suggestion supported by the strapline "the only UNAUTHORISED biography".

But given that Bradbury's Fahrenheit 451 is often read as a statement against censorship, maybe this biography has hit upon an appropriate title, even for a non-salacious volume.

I haven't read the book yet, but being a completist I couldn't help but order a copy. I fear the worst, however, since it is published by iUniverse.com, which appears to be a high-tech vanity press.