Bradbury in...Belgium!

I'm recently returned from Belgium, where I presented a paper at the "Science Fiction Across Media: Adaptation/Novelisation" conference. My paper, entitled "Adaptive Behaviours", was another in my series exploring ways in which Bradbury's prose fictions adapt to other media. This time I focused on the short story "A Sound of Thunder" and discussed key adaptations for TV and film, as well as various graphic adaptations. It was an elaboration of some ideas I first considered in this post.

Also presenting at the conference was Aristea Chryssohou of Aristotle University of Thessaloniki, who did an excellent analysis of Francois Truffaut's film version of Fahrenheit 451.

There were additional delights of being in Belgium, one of which was the opportunity to visit the iconic Atomium. Although this has no direct connection to Bradbury, there are certain thematic connections, which I hope to blog about soon.

Time to confer...

I recently returned from Orlando, Florida, where I presented at the International Conference on the Fantastic in the Arts. The conference theme was "Time and the Fantastic", and my paper was on Ray Bradbury's use of time.

Before writing the paper, I doodled a spider diagram containing as many Bradbury stories I could think of which had a significant, fantastical use of time. Every couple of days I would remember another story with a time theme and add to my arachnid scrawl.

From the doodle, I eventually chose to focus on four major recurring uses of time in Bradbury stories:

• SF-style time travel (as in "A Sound of Thunder" and "The Fox in the Forest"
• Time travel in service of wish-fulfillment (as in "The Kilimanjaro Device")
• Fantastic evocation of the past (as in "A Scent of Sarsaparilla")
• Encounters with the younger or older self (as in "A Touch of Petulance", and the stage play of Dandelion Wine

Of course, by choosing this topic I was opening one enormous can of worms...nearly every Bradbury story makes use of time in some fantastical way. However, it has given me plenty of material for future study and has already suggested further papers.

Speaking of which, I have another paper to present at "SF Across Media", a conference to be held at Katholieke Universiteit Leuven, Belgium. Fortunately, the conference is in English - my Flemish isn't up to much!

In this paper, I will be looking at adaptations of "A Sound of Thunder" in various media.