I never thought it would happen, but Ray Bradbury, nearly twice my age, is moving too fast for me to keep up with. I have two of his recent books in my "to read" pile, and he already has another two out. And another two scheduled for release. Not to mention the three stage plays already stacking up in California...
The two books already out - and not yet showing up elsewhere on my website - are
Masks and
We'll Always Have Paris.
Masks is an unfinished novel, originally written in the 1950s. It would have been Bradbury's second novel, after
The Martian Chronicles. Gauntlet Press have now released the text for the first time, restored from various drafts and fragments located by Bradbury's bibliographer Donn Albright. From this description, you may gather that this isn't an ideal book for the newcomer to Bradbury; instead, it's more suited to the Bradbury completist, the reader who likes to see how Bradbury does it. The volume also contains a handful of previously unpublished short stories.
Ordering information for
Masks is to be found on Gauntlet's site,
here. If you are in the UK, you can save on shipping by buying from
The Book Depository - they offer free delivery.
More suitable for the general reader is Bradbury's latest short story collection from Wm Morrow.
We'll Always Have Paris is titled to reflect Bradbury's love affair with the French capital, a love he developed when consulting for Disney on Disneyland Paris. The French, of course, last year reciprocated the affection by awarding Bradbury the honour of Commander of Arts and Letters. Bradbury wears his medal to almost every public event he attends.
On stage, Bradbury is flourishing at present.
The Wonderful Ice Cream Suit recently had a successful, if short, revival. According to the
LA Times, the play "wears well". Read their review
here.
Replacing
Suit at the Fremont Centre Theatre, Pasadena, is Tobias Anderson in
The Illustrated Bradbury. This is a one-man show in which Anderson adopts the guise of the Illustrated Man and other Bradbury characters. Information about the play can be found
here (click on the "pick a show" dropdown, and select "Ray Bradbury Presents").
Running in parallel with Anderson's show is
Falling Upwards, Bradbury's play based on his Irish experiences. Bradbury claims this production is the best he has ever seen of any of his plays, and who would dare to disagree? Full details about this production (at the El Portal Theatre, North Hollywood) can be found at
www.raybradburysfallingupward.com
Finally, the annual International Conference on the Fantastic in the Arts is nearly upon us. It's held in Florida every year, and is considered to be one of the leading academic events in the field. I'm pleased to have had a paper accepted, so I will be presenting "Ray Bradbury's Time Interventions", which looks at how Bradbury has made use of time in his fictions - time travel, youth vs age, encounters with the younger or older self, etc.
I recently returned from Orlando, Florida, where I presented at the International Conference on the Fantastic in the Arts. The conference theme was "Time and the Fantastic", and my paper was on Ray Bradbury's use of time.
Speaking of which, I have another paper to present at "SF Across Media", a conference to be held at Katholieke Universiteit Leuven, Belgium. Fortunately, the conference is in English - my Flemish isn't up to much!
