Bradbury News

Earlier this week, The Guardian reported that Ray Bradbury's books are finally to be released as e-books in the UK. No big deal, you might think - except that Bradbury was famously opposed to his works being made available in this form right up until his final year on this planet. I don't believe there was any great earth-shattering moment when he "caved in", or when he had some great epiphany; I think it was just a case of the new contract arriving, and the continued publication of the print editions of his works would be conditional on e-book rights also being made available to his publisher.

The Guardian faithfully reported this story, but slipped in a new piece of information which to me is much more significant. It appears that Dark Carnival is among the books which will be made available as an e-book.

Dark Carnival. Bradbury's first book. Not science fiction, but dark fantasy and horror. The book that he refused to be re-issued, on the grounds that he had re-written (improved?) all of its constituent short stories, which continued to be available in the collection The October Country.

Dark Carnival has only ever been available in three editions: the US hardcover, out of print since the 1940s; the UK hardcover, also out of print since that decade; and a limited edition re-issue from Gauntlett Press (2001), also long out of print.

At the moment, any copy of Dark Carnival is likely to set you back at least £600 (900 USD). The first edition typically goes for 2000USD.

So issuing Dark Carnival as an e-book is a very big deal. (Assuming, of course, that they use the original text from Dark Carnival. If they instead cobble the contents together from the text in The October Country, thinking that the stories are identical, they will be making a big mistake.)

Is there much of a difference between the stories in Dark Carnival and the re-written versions in The October Country? In some cases, not so much. But in other cases the stories are somewhat transformed. In general, the earlier versions of the stories are darker and a bit more raw; the re-writes are a bit more poetic, but sometimes read like a more "respectable" Bradbury has gone back and tidied up the work of his earlier self. This isn't far from what actually happened, as Dark Carnival came out when Bradbury was known only from stories in pulp magazines like Weird Tales, but The October Country was assembled when he had gone up in the world and was appearing in slick, upmarket magazines.



Speaking of Dark Carnival, BBC Radio 4 Extra this week broadcast a dramatisation of one of the stories from that book. "The Emissary" is a thirty-minute drama broadcast in the Haunted strand. Although marked on the BBC website as a "Radio 4 Extra debut", the closing credits of the show place it as a BBC World Service production, so it is probably not new... but I haven't been able to work out when it was made. Oddly, the late Percy Edwards is credited with playing the dog in the story, but he died a long time ago. Either it's a much older recording than it appears, or Percy is being played in as a sound effect!

"The Emissary" is still available right now for listening online, but it won't stay there forever. Get it while you can.

RBT: Top Ten Episodes

Someone over on IMDB has posted a list of their top ten episodes of Ray Bradbury Theatre. It's an interesting list, and inevitably got me thinking about my favourite episodes.

In some cases, "best episode" would coincide with "best story" - but in other cases, this simple equation doesn't hold. There are great stories that made good episodes, such as "The Long Years" and "A Sound of Thunder"... but also great stories that didn't turn out so well on screen, such as "Skeleton" (which I tend to think is almost unfilmable), "The Man Upstairs" (just too badly made) and "Tyrannosaurus Rex" (please don't make me watch that one again).



The best episodes strike a happy balance of fulfilling our memory of the story, but surprising us with something unexpected in the plotting, shooting or - more often than not - in the casting or performances. I quite like "Gotcha" and "The Crowd", although they both look quite dated. "The Small Assassin" never fails to hold my attention, largely thanks to Cyril Cusack's turn as the doctor. "Mars is Heaven!" is just about as good as it could be on TV - although I think radio is capable of doing this story more effectively. And "Emissary" and "By the Numbers" are always watchable.



Looking over the entire episode list again, I am reminded that Ray Bradbury Theatre started with great promise - look at the cast list: William Shatner, Jeff Goldblum, Drew Barrymore! It then shifted in subsequent seasons into a really mixed bag of international co-productions, with dreadfully variable production values. But toward the end, it hit its stride, and produced some strong, consistent episodes.

What are your top ten episodes?