The germ of the idea came a year ago, when Jon Eller - Director of the Center for Ray Bradbury Studies - was in discussion with Indiana University Cinema, headed by Jon Vickers. IU Cinema hosts major film events, including visits from luminaries such as Werner Herzog, Meryl Streep and Peter Weir.
When I visited the Bradbury Center in Indianapolis this time last year, Jon and I spent a bit of time bouncing around ideas for a Bradbury film series - and the result is From Science To The Supernatural.
But why that title?
We wanted to reflect the breadth of Bradbury's writing, presenting him not as "just" a science-fiction writer, or "just" a fantasist. At the same time, we were conscious of Ray's close association with space scientists - while not a "hard" SF writer, Ray's poetic vision of humankind's future in space made him a leading advocate of the American space programme. We wanted to acknowledge Ray's influence on a couple of generations of space visionaries, while also presenting some of the best adaptations of his work which, as it happens, tend to be at the more fantastic end of the spectrum.
Jon Eller and I both had some instant ideas of what to screen in our imagined ideal Ray Bradbury film festival, and we were partly influenced by the treasures held in the Center for Ray Bradbury Studies, which include Ray's personal 16mm and 35mm prints of some of his film and TV work. After bouncing around ideas, we gradually homed in on the selection in the current programme.
And so, when the series begins in IU Cinema on Tuesday 24 March, we shall be offering the following:
TV + Shorts:
- Icarus Montgolfier Wright - the Oscar-nominated short animation from 1962.
- And The Moon Be Still As Bright - the best segment of the otherwise lacklustre 1980 TV miniseries of The Martian Chronicles
- The Burning Man - an episode of The Twilight Zone from 1985, with a script and direction by Ray's friend J.D. Feigelson
- Marionettes Inc. - one of the better early episodes of Ray's own TV series, The Ray Bradbury Theater (1985)
- The Life Work of Juan Diaz - a Bradbury-scripted episode of The Alfred Hitchcock Hour from 1964, based on one of his Mexican stories
Playhouse 90: A Sound of Different Drummers - a TV drama which borrows from Bradbury's Fahrenheit 451 (Bradbury sued over this, and won).
Fahrenheit 451 - Francois Truffaut's Hitchcockian 1966 take on Bradbury's best-known novel.
Moby Dick - the film which effectively launched Bradbury's screenwriting career, directed by John Huston in 1956.
Something Wicked This Way Comes - the only major film to have been made of a Bradbury book from a Bradbury script during Ray's lifetime. This 1983 Disney film was directed by Bradbury's friend Jack Clayton, but friction between the two unfortunately brought their friendship to an untimely end.
If you happen to be in Bloomington, Indiana, during the coming week, grab yourself some free tickets to our screenings - detailed scheduling and ticket information are here: http://www.cinema.indiana.edu/?post_type=series&p=8874
I will be blogging about the film event every day that we have a screening. Watch this space for more on Ray Bradbury: From Science To The Supernatural.
3 comments:
Why not "The Jar"? I love "Juan Diaz" but I love "The Jar" even more.
Two reasons, Jack:
1. Ray didn't write the script for "The Jar" (he only wrote the original short story).
2. We thought "The Jar" would be too familiar, whereas "Juan Diaz" is less well known.
Good points. I'm sorry I won't be in Bloomington to enjoy the show!
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